Spring 2023, University of Rochester, Satz Dept. of Music
Brown-Montesano, Kristi. 2007. Understanding the Women of Mozart’s Operas. Berkeley: University of California Press.
Burkholder, Peter J., Donald Jay Grout, and Claude V. Palisca. 2014. A History of Western Music. 9th edition. New York: Norton.
Cabrini, Michele. 2012. “The Composer’s Eye: Focalizing Judith in the Cantatas by Jacquet de La Guerre and Brossard.” Eighteenth-Century Music 9 (1): 9–45. https://rochester.primo.exlibrisgroup.com/permalink/01ROCH_INST/173n3b8/cdi_proquest_journals_918115456.
Cashner, Andrew A. 2020. Hearing Faith: Music as Theology in the Spanish Empire. Studies in the History of Christian Traditions 194. Leiden: Brill. https://rochester.primo.exlibrisgroup.com/permalink/01ROCH_INST/1vg5sr1/alma9978277151705216.
———. 2021. “Imitating Africans, Listening for Angels: A Slaveholder’s Fantasy of Social Harmony in an ‘Ethnic Villancico’ from Colonial Puebla, 1652.” Journal of Musicology 38 (2): 141–82. https://doi.org/10.1525/jm.2021.38.2.141.
Coetzee, J. M. 2001. “What Is a Classic?” In Stranger Shores: Literary Essays 1986–1999, 1–16. New York: Viking.
Cook, Nicholas. 2013. “Western Music as World Music.” In The Cambridge History of World Music, edited by Philip V. Bohlman, ch. 3. Cambridge: Cambridge University Press.
Dargan, William T. 2006. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans. Berkeley: University of California Press. https://rochester.primo.exlibrisgroup.com/permalink/01ROCH_INST/1vg5sr1/alma9978116964305216.
Diamond, Beverley. 2013. “Native American Ways of (Music) History.” In The Cambridge History of World Music, edited by Philip V. Bohlman, 155–80. Cambridge: Cambridge University Press.
Feldman, Martha. 2007. Opera and Sovereignty: Transforming Myths in Eighteenth- Century Italy. Chicago: University of Chicago Press. https://rochester.primo.exlibrisgroup.com/permalink/01ROCH_INST/1vg5sr1/alma9978134493805216.
Fromont, Cécile. 2013. “Dancing for the King of Congo from Early Modern Central Africa to Slavery-Era Brazil.” Colonial Latin American Review 22 (2): 184–208. https://ebookcentral.proquest.com/lib/rochester/detail.action?docID=713660.
Gjerdingen, Robert O. 2007. Music in the Galant Style. New York: Oxford University Press.
Goodman, Glenda. 2012. “‘But They Differ from Us in Sound’: Indian Psalmody and the Soundscape of Colonialism, 1651–75.” The William and Mary Quarterly 69 (4): 793–822. https://rochester.primo.exlibrisgroup.com/permalink/01ROCH_INST/173n3b8/cdi_proquest_journals_1221169113.
Gordon-Seifert, Catherine. 2011. Music and the Language of Love: Seventeenth-Century French Airs. Bloomington, IN: Indiana University Press. https://ebookcentral.proquest.com/lib/rochester/detail.action?docID=713660.
Grove Music Online. 2023. Oxford Music Online. Oxford: Oxford University Press. https://www.oxfordmusiconline.com/grovemusic.
Kajikawa, Loren. 2019. “The Possessive Investment in Classical Music: Confronting Legacies of White Supremacy in U.s. Schools and Departments of Music.” In Seeing Race Again: Countering Colorblindness Across the Disciplines, edited by Kimberlé Williams Crenshaw, Luke Charles Harris, Daniel Martinez HoSang, and George Lipsitz. Berkeley, CA: University of California Press. https://doi.org/10.1525/9780520972148-008.
Karant-Nunn, Susan C. 2010. “Proper Feelings in and Around the Death-Bed.” In Reformation of Feeling: Shaping the Religious Emotions in Early Modern Germany. New York: Oxford University Press. https://doi-org.ezp.lib.rochester.edu/10.1093/acprof:oso/9780195399738.003.0006.
Krouse, Susan Applegate. 2001. “Traditional Iroquois Socials: Maintaining Identity in the City.” American Indian Quarterly 25 (3): 400–408.
Lindorff, Joyce. 2004. “Missionaries, Keyboards, and Musical Exchange in the Ming and Qing Courts.” Early Music, no. August: 403–14. https://www-jstor-org.ezp.lib.rochester.edu/stable/3519339.
Melamed, Daniel. 2016. Hearing Bach’s Passions. Updated ed. Oxford: Oxford University Press.
Powers, David M. 2014. From Plantation to Paradise?: Cultural Politics and Musical Theatre in French Slave Colonies, 1764–1789. East Lansing, MI: Michigan State University Press. https://ebookcentral.proquest.com/lib/rochester/detail.action?docID=3338354.
Smith, Douglas. 2008. The Pearl: A True Tale of Forbidden Love in Catherine the Great’s Russia. New Haven, CT: Yale University Press. https://rochester.primo.exlibrisgroup.com/permalink/01ROCH_INST/1vg5sr1/alma9978133196905216.
Smith, Linda Tuhiwai. 2012. Decolonizing Methodologies: Research and Indigenous Peoples. London: Zed Books. https://ebookcentral.proquest.com/lib/rochester/detail.action?docID=1426837.
Strunk, Oliver, and Leo Treitler, eds. 1998. Source Readings in Music History. Revised edition. New York: Norton.
Temperley, Nicholas. 1981. “The Old Way of Singing: Its Origins and Development.” Journal of the American Musicological Society 34 (3): 511–44. https://rochester.primo.exlibrisgroup.com/permalink/01ROCH_INST/173n3b8/cdi_crossref_primary_10_2307_831191.
Yang, Mina. 2007. “East Meets West in the Concert Hall: Asians and Classical Music in the Century of Imperialism, Post-Colonialism, and Multiculturalism.” Asian Music 38 (1): 1–30. https://rochester.primo.exlibrisgroup.com/permalink/01ROCH_INST/173n3b8/cdi_proquest_journals_214159374.
“s.v.” = Latin, sub verbum = “under the word” = “the article about”↩︎